Tuesday, 17. October 2023
Moods, Zurich
www.moods.ch
Spill, Magda Mayas (Piano, Clavinet), Tony Buck (Drums)
The elegant, venerable Dr. Jekyll creates a substance in his laboratory that brings out the evil in man and with which he transforms himself into the diminutive, malevolent Mr. Hyde. But he soon loses control of his alter ego. John S. Robertson's film adaptation of Robert Louis Stevenson's famous novel with the never enough praised John Barrymore in the double leading role was already the tenth film adaptation of the material, whereby elements of Oscar Wilde's novel "The Picture of Dorian Grey" are additionally incorporated here. Brilliantly staged and virtuously acted are the moments when the protagonist loses control and Mr. Hyde gains the upper hand.
This early horror film is set to music by Spill, the Berlin duo with German improviser Magda Mayas on piano and clavinet and Australian drummer extraordinaire Tony Buck, which celebrated its 20th anniversary last year. Magda Mayas uses both the inside and the outside of the piano, using amplification, preparations and objects that become extensions of the instrument itself. Tony Buck, on the other hand, has been a fixture in improvised and contemporary music for over 30 years, not least with his Australian avant-garde jazz trio The Necks.
Vicente-Dikeman-Parker-Drake, Luís Vicente (Trumpet), John Dikeman (Tenor Saxophone), William Parker (Double Bass, Laúd), Hamid Drake (Drums, Percussion)
Even before Frankenstein and Dracula, there was the Phantom. Rupert Julian's The Phantom of the Opera is inspired by Gothic fairy tales like Beauty and the Beast and Bluebeard, but also by the disfigured veterans of the First World War. It anticipates both superheroes and psychotics, with future grand masters of horror film like Alfred Hitchcock celebrating its monstrous reveal, the moment of unmasking and horror, over and over again. The leading role of the deformed phantom who terrifies the Paris Opera House is played by Lon Chaney, the man of a thousand faces. The gruesome make-up he himself spent many hours applying was kept a top studio secret until the premiere of the film.
This masterpiece of the classic horror film is set to music by one of the most exciting free jazz quartets of the present day with trumpeter Luís Vicente from Portugal, US tenor saxophonist John Dikeman, who lives in Holland, and the rhythm section, which first came together 30 years ago in Peter Brötzmann's quartet "Die Like a Dog", has been at the forefront of the avant-garde for decades and needs no further introduction in this setting: William Parker on double bass and Moroccan bass lute and Hamid Drake on drums and percussion.
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