Five young Berliners, a taxi driver, a wine dealer, a record shop sales girl, a film extra and a model are spending a typical Sunday. In the centre of this snapshot of Berlin life is a trip to the public bathing beach Wannsee. All too soon it is the end of the day, and the prospect of Monday looms, and the return to weekday routine. The film ends with images of a Monday bustling with activity and the closing series of intertitles announces: “Four... million... wait for... the next Sunday.” The film is considered as one of the most important works of the German film Avant-Garde, and it had a huge influence on the later French New Wave and Italian Neorealist movements.